![]() After a segment of the intro comes out for a brief moment the group explodes into a final chorus, ending the opener in wonderful fashion. These already powerful lyrics are only intensified when delivered by Tim. Save us from what we’ve become tonight, eyes glazed with distrust no sense of wrong or right. Bar none I don’t think there is a band that writes better bridges than Rise Against. After the second chorus, another strong point for the band enters the bridge. Bassist Joe Principe adds some great accents to the chorus, as his lines can be consistently and clearly heard throughout the album. This only adds to the greatness of the record, as it does not completely rely on them. ![]() What’s mine was always yours and yours is mine.Ĭlearly that aspect of the group has not diminished either, the record’s brilliance flourishes on Tim’s lyrics. In traditional punk style backing vocals provide some oh’s while Tim singsĬan we be saved has the damage all been done?Ī lesson to learn at a crucial point in time, The rapid state of the verse is almost counter balanced by the catchy chorus. Tim sings a mile a minute during the verse, keeping the intensity high while Brandon maintains a solid beat underneath it all. After a pickslide and a rapid roll the fury begins, as Rise Against has clearly not surrendered any of their core heaviness. This is noise! The opening lines heard in a distance along with the slow played octave chords over a slow drum beat sure build up an exciting intro for Chamber The Cartridge. The end result is a record which marks the peak of the group’s career, and in turn will continue to propel the group’s progression. However, they manage to incorporate several new elements in the process as they always do seem to have a few tricks up their sleeves. Regarding core influences, the group still clings onto what everyone knows and loves about them. ![]() The group has not dumbed down their sound in the least, as it still packs the fury of a haymaker while keeping a melodic edge intact. After four records, that aspect about Rise Against has not changed one bit as their second major label release The Suffer and The Witness will show. They do it all while maintaining a vast amount of variety. Rise Against seem miles ahead of their genre, as they always seem to be able to put together consistent albums with memorable and meaningful songs. ![]() They can easily be considered the heart, soul and lungs of the modern day punk scene. It would be quite redundant to have an introduction discussing the motives of Chicago based punk group Rise Against. If you’re not angry, you’re not paying attention.” – Tim McIlrath Even the stylistic detours of the spoken-word “The Approaching Curve” and the moody, stripped-down “Roadside” earn passing grades (even though the latter sounds a bit too much like Staind’s “Outside” for comfort).“Real revolution begins at learning. From midtempo singalongs like “Ready To Fall” and “Under The Knife” to the frenetic “Bricks” and “Drones” (guaranteed to start circle pits wherever played), Sufferer delivers blow after blow, polished to perfection by producer Bill Stevenson. So when you put on The Sufferer & The Witness and hear galloping drumbeats, the powerful tenor of frontman Tim McIlrath, a sprinkling of gang vocals and a severe case of the catchy-chorus flu, you could write it off as “more of the same” for the band, or you could realize that no one plays melodic punk better than Rise Against in 2006. At this point in their career, Chicago quartet Rise Against are, by all accounts, a well-oiled punk-rock machine. ![]()
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